Hair Colorimetry Basics: Guide for Colorists

In short: Hair colorimetry studies how color interacts with hair through three pillars: color theory (color wheel and neutralization), the level system 1-10 with predictable underlying pigments, and reflects, each brand with its own key (on L’Oréal’s Majirel chart for Spain, .1 ash, .3 gold, .4 copper). Mastering these fundamentals enables precise scientific formulation and predictable results.

Why do some formulas work perfectly while others turn into disasters? The answer lies in colorimetry.

If you’ve been in the salon for a while, you know that formulating color isn’t just about mixing numbers. Behind every result is a precise science that, when you understand it, transforms the way you work. The ashy blonde that turns out perfect. Gray coverage without surprises. Balayage with flawless transitions.

In this guide, we’ll build the foundations of hair colorimetry together. From color theory to its practical application in the salon. Everything you need to formulate with confidence.

If you already have the fundamentals and you are looking for the job in front of you today, go through the guide by type of job: blondes, gray, toning, highlights, correction, brunettes and global color.

What is Hair Colorimetry

Hair colorimetry is the science that enables precise, predictable color formulation by applying physics, chemistry, and visual perception. It rests on three pillars: color theory (complementary pairs orange/blue, yellow/violet, red/green for neutralization), the level system (1-10 scale with predictable underlying pigments), and reflects (the numbering changes from house to house; on Majirel’s chart for Spain, .1 ash, .3 gold and .4 copper define the hue). Without these fundamentals, formulation is guesswork.

Hair colorimetry is the science that studies how color interacts with human hair. It enables predicting results, formulating precisely, and correcting errors by applying principles of physics, chemistry, and visual perception. It rests on three fundamental pillars:

1. Color theory: The color wheel and complementary colors (orange-blue, yellow-violet, red-green) that enable neutralizing unwanted tones.
2. Level system: Scale from 1 (black) to 10 (platinum blonde) with predictable underlying pigments at each level.
3. Reflects and chemistry: The numbers after the separator define the hue, and each brand reads them differently (Majirel’s chart for Spain: .1 ash, .3 gold, .4 copper), while developers (10-40 vol) control lift and damage.

The difference between a colorist who “tries to see what happens” and one who formulates with confidence is right here. In mastering these fundamentals.

Let’s dive deeper into each pillar.

How Does Color Theory Apply to Hair Colorimetry?

The color wheel organizes colors into primaries (blue, red, yellow), secondaries (orange, green, violet), and complementary pairs. Opposite colors cancel each other: orange/blue, yellow/violet, red/green. In the salon, this drives every neutralization decision — orange underlying pigment at levels 5-6 cancels with blue-ash, yellow at levels 8-9 cancels with violet. This is not theory; it’s the mechanism behind every formula.

The color wheel is your map for understanding how colors relate to each other. Based on the Munsell color notation system, which organizes colors by hue, value, and chroma, this tool is fundamental for any colorist. Although it may seem like abstract theory, you use it every day when neutralizing orange or balancing violet.

Primary Colors

The three colors that cannot be created by mixing others:

• Blue: The coolest, present in ash tones
• Red: The warmest, appears in dark underlying pigments
• Yellow: Luminous, appears in light underlying pigments

Secondary Colors

Formed by mixing two primaries:

• Orange = Red + Yellow
• Green = Blue + Yellow
• Violet = Blue + Red

Complementary Colors

Here’s the key to neutralization. Opposite colors on the wheel cancel each other out:

According to the Munsell color notation system, colors that sit diametrically opposite in chromatic space neutralize each other. In hair colorimetry, this translates to:

Color	Complementary	Practical Use
Orange	Blue	Neutralize warm bleached hair
Yellow	Violet	Tone brassy blondes
Red	Green	Cancel red bases
Green	Red	Correct green tones

When you mix a color with its complementary in equal amounts, you get a neutral tone (brown or gray, depending on the level).

Pro tip: Avoid pure complementaries at 100%. Cut them with a natural tone to keep the result clean.

What Are Hair Color Levels and How Do You Use Them to Formulate?

The level system runs from 1 (black) to 10 (platinum blonde) and measures depth. Each level has a predictable underlying pigment revealed during lightening: level 5 reveals orange, level 7 yellow-orange, level 9 pale yellow. How far the dye lifts depends on the line: Wella’s Koleston Perfect usage guide sets 3 levels of lift for the 1:1 mix with 40 vol, and 4-5 for its Special Blonde shades at 1:2; beyond that, pre-lightening is required. Misidentifying the level is the most common source of formula failures.

The tone level indicates how light or dark a color is. It’s a universal system that goes from 1 (black) to 10 (platinum blonde).

Level Chart with Underlying Pigments

Each level has an associated underlying pigment. This is the pigment that appears when you lighten hair:

Level	Description	Underlying Pigment
1	Black	Dark red
2	Very dark brown	Red
3	Dark brown	Red-orange
4	Medium brown	Orange-red
5	Light brown	Orange
6	Dark blonde	Yellow-orange
7	Medium blonde	Orange-yellow
8	Light blonde	Yellow
9	Very light blonde	Pale yellow
10	Extra light blonde	Very pale yellow

The chemistry explains it: melanin oxidation follows a predictable sequence: eumelanin (dark pigment) degrades first, progressively revealing the underlying pheomelanin (warm pigment). This knowledge is fundamental. If you lighten a level 4 and orange-red appears, it’s not a mistake: it’s chemistry. And knowing this, you can neutralize it correctly.

For brand shade examples at every level, see the interactive hair color level chart. To dive deeper into how to correctly identify levels, check out our complete guide to hair color levels.

How to Identify Natural Level

Misdiagnosing the level is one of the most common mistakes. Here’s the correct process:

1. Proper lighting: Natural or neutral white light. Never warm salon light
2. Correct zone: The nape, less affected by sun
3. Dry hair: Wet hair appears darker
4. Compare with swatches: Don’t rely on your eye alone
5. Consider gray hair: Can “raise” the perceived level

How Many Levels a Tint Lifts in One Go

It’s a salon-floor rule, and the technical sheets qualify it. In the Koleston Perfect usage guide, Wella gives 40 vol with the 1:1 mix 3 levels of lift; 4-5 are reserved for Special Blonde, which mixes 1:2.

Examples with that guide:

• Level 3 → level 6 with the 1:1 mix and 40 vol
• Level 5 → level 8 with the 1:1 mix and 40 vol
• Level 6 → level 10 only with Special Blonde at 1:2 and 40 vol

To lighten more, you need pre-lightening.

What Do the Numbers After the Decimal Mean in Hair Color Codes?

The decimal number defines the hue, but it depends on the brand: on L’Oréal’s Majirel chart for Spain, .1 shades sit in the ash group, .3 in gold and .4 in copper; in the numbering Wella explains on its US store blog, /2 is matte and /7 is brown. In a code like 7.13, the 7 is the level (medium blonde), 1 is the dominant reflect (ash), and 3 is the secondary (gold): a warm ash result. Past 3 reflects in one formula, the result tends to turn muddy and unpredictable.

After the level comes the reflect. That number after the decimal point that defines the color’s hue.

Each Brand Numbers Its Reflects Its Own Way

Brands don’t share one numbering: the same digit can mean a different reflect from one house to the next, not just carry a different name (you can compare exact nomenclature in our hair color converter). A few examples, each from its own chart:

Brand	Number	Reflect
L’Oréal Majirel (chart for Spain)	.1	Ash group
L’Oréal Majirel (chart for Spain)	.3	Gold group
L’Oréal Majirel (chart for Spain)	.4	Copper group
Wella Koleston Perfect (US store blog)	/2	Matte (green)
Wella Koleston Perfect (US store blog)	/4	Red (warm)
Wella Koleston Perfect (US store blog)	/6	Violet (cool)
Wella Koleston Perfect (US store blog)	/7	Brown
Schwarzkopf Igora Royal (US chart)	-4	Beige
Schwarzkopf Igora Royal (US chart)	-7	Copper
Schwarzkopf Igora Royal (US chart)	-8	Red

How to Read Color Codes

In a code like 7.13:

• 7 = Level (medium blonde)
• 1 = Primary reflect (ash)
• 3 = Secondary reflect (gold)

Result: Medium blonde ash with golden undertone (a warm ash, less cold than a pure 7.1).

Reflect Mixing Rules

• Cool reflects (in L’Oréal’s notation, .1 and .2) neutralize warm tones
• Warm reflects (in that same notation, .3, .4, .5 and .6) add luminosity
• Natural base (.0) softens and adds body to the color
• Stay at 3 reflects or fewer: beyond that, the result turns muddy

Predict the exact result of mixing two shades with our hair color mixing calculator. For a deep dive into professional ratios and rules when combining different dyes, see our guide on mixing hair dyes: professional proportions.

Which Developer Volume Should You Use and Why Does It Matter?

Developer volume controls lift and damage. 10 vol (3%) deposits with no lift; on Schwarzkopf’s US Igora Royal chart, 20 vol (6%) lifts 1-2 levels for standard work and gray coverage, 30 vol (9%) lifts 2-3 levels for highlights and dark bases, and 40 vol (12%) lifts 3-4 levels with the 10- series, to be used with caution. Every extra 10 volumes adds 3% hydrogen peroxide, a straight-line climb rather than a doubling, and fiber damage rises with it. Use the minimum volume the result needs.

Developer isn’t just “the liquid you mix with the dye.” It’s an active component that determines the final result. The chemistry explains it: hydrogen peroxide concentration directly affects both lift and damage to the hair fiber.

Volumes and Lifting Power

Volume	Concentration	Lift on Igora Royal (US chart)	Main Use
10 vol	3%	None: coloring darker	Deposit, toning
20 vol	6%	1-2 levels	Standard, gray coverage
30 vol	9%	2-3 levels	Highlights, dark bases
40 vol	12%	3-4 levels (10- series)	High-lift color and bleaching (with caution)

The chemistry explains it: concentration climbs in even steps of 3% hydrogen peroxide per 10 volumes (3, 6, 9 and 12%), and the more concentrated the developer, the more damage to the hair fiber. The golden rule: use the minimum volume necessary for the result. More developer doesn’t mean better results, it means more damage.

To understand when to use each volume, check out our guide to developer volumes.

Dye to Developer Ratios

The ratio is set by the line you use, not by the technique:

Product line	Ratio	Notes
Wella Koleston Perfect	1:1	The most widespread
L’Oréal Majirel	1:1.5	Majirel High Lift is the exception, at 1:2 on L’Oréal’s US chart
Igora Royal 12- series	1:2	Its 10- series, also high-lift, runs at 1:1
Semi-permanent and color baths	Set by its own sheet	Varies from line to line

How Do You Neutralize Unwanted Tones in Hair Color?

Neutralization applies complementary colors in a dose that grows with the unwanted tone: a little corrector when it is slight, more as it gets stronger. Orange at levels 5-6 cancels with ash .1; yellow at levels 8-9 with violet (.2 at L’Oréal, /6 at Wella); red at levels 2-4 with matte, which is green (.7 at L’Oréal, /2 at Wella). Pure complementaries at 100% are best avoided: softened with a natural tone, they don’t leave muddy, dull results.

Mastering neutralization is what separates a good colorist from an excellent one. It’s the practical application of everything above.

Basic Principle

Complementary colors cancel each other out. But the key is in proportions:

• Slight unwanted tone: a small share of corrector
• Medium unwanted tone: a bit more corrector
• Intense unwanted tone: the largest share, short of pure corrector

Practical Cases

Neutralizing orange (levels 5-6):

• Use ash reflects (.1)
• Formula type: 7.1 (30g) + 7.01 (20g) + 7 natural (10g)
• The natural touch prevents it from looking “muddy”

To see these principles applied to specific cases, check our professional color formulas with developer, timing, and neutralization step by step.

Neutralizing yellow (levels 8-9):

• Use violet reflects (.2 at L’Oréal, /6 at Wella)
• Specific toners
• Short time, as set by the toner’s own sheet

For a complete formulation built entirely around silver neutralization, see our quiet silver formula guide.

Neutralizing red (levels 2-4):

• Red is cancelled by green, and on a shade chart that green is the matte family: .7 at L’Oréal, /2 at Wella
• Mind the numbering: a .13 is not a matte. It is ash + gold (blue + yellow) — what L’Oréal sells as beige — and it will not correct red
• Dose the matte alongside the natural base of your target level, never on its own
• Requires more time and patience

For specific neutralization techniques, check out our guide to neutralizing unwanted tones.

What Information Do You Need to Gather Before Formulating?

A complete professional diagnosis covers three areas: hair history (last dye date, brand used, henna history, prior bleaching), current condition (natural level at nape, porosity, elasticity, gray percentage), and desired result (visual references, documented expectations). Skipping this step is the primary cause of salon errors. An incomplete diagnosis means any formula is a guess.

Before mixing anything, you need information. A complete diagnosis includes:

1. Hair History

Key questions:

• When was the last dye applied?
• What brand and color did they use?
• Have you ever used henna?
• Have you had highlights or bleaching?

2. Current Condition

• Natural level: At the root zone
• Level in mids and ends: May differ from previous treatments
• Porosity: High absorbs quickly, low needs more time
• Elasticity: Indicates fiber health
• Gray percentage: Affects formulation

3. Desired Result

• Show visual examples
• Agree on realistic expectations
• Document in writing

If your client isn’t sure what color direction suits them, the what hair color suits me guide provides a structured framework based on skin tone and personal colorimetry.

The most common diagnosis mistakes are in our guide on color formulation errors.

How Do You Build a Hair Color Formula Step by Step?

Color formulation follows 5 steps in sequence: (1) determine target level and verify it’s achievable with dye alone, (2) calculate level difference to select developer volume, (3) identify the underlying pigment and whether neutralization is needed, (4) choose primary reflect + secondary reflect + natural base if required, (5) calculate proportions based on hair density and length. Skipping any step produces unpredictable results.

With the complete diagnosis, formulation follows a logical process:

Step 1: Determine Target Level

What level does the client want to reach? Is it achievable with dye or does it need bleaching?

Step 2: Calculate Level Difference

Target level - Current level = Levels of difference

This determines the necessary developer.

Step 3: Consider the Underlying Pigment

What pigment will appear when lightening? Do you need to neutralize it?

Step 4: Choose Reflects

• Primary reflect: The dominant one
• Secondary reflect: Modifies or balances
• Natural base: Softens if necessary

Step 5: Calculate Proportions

Adjust quantities based on:

• Intensity of neutralization needed
• Hair length
• Hair density

Practical Example

Client: Natural level 5, wants cool medium blonde (7.1)

1. Difference: 7 - 5 = 2 levels → 20 vol developer where your line allows it (Igora Royal’s US chart gives 20 vol 1-2 levels; Wella’s Koleston Perfect usage guide assigns 30 vol to 2 levels)
2. Underlying pigment levels 5-7: Orange → Needs ash
3. Formula: 7.1 (40g) + 7.01 (15g) + 7 (5g) + 20 vol developer (60ml)
4. Time: 35-40 minutes
5. Expected result: Medium ash blonde without orange streaks

What Are the Most Common Color Formulation Mistakes?

The 5 most frequent errors are: diagnosing level by eye without swatches (the eye misreads depth), ignoring chemical history (unpredictable reactions), using too much corrector (muddy results), skipping strand tests on doubtful cases, and mixing dye from one brand with developer from another (each system is internally calibrated). Every one of these is preventable with consistent protocol.

1. Diagnosing by Eye

Problem: The perceived level isn’t the real one. Solution: Always use swatches and correct lighting.

2. Ignoring History

Problem: Unpredictable reactions with previous chemicals. Solution: Detailed file for each client.

3. Excess Corrector

Problem: Muddy or dull tones. Solution: Start with less, add if needed.

4. Not Doing Strand Tests

Problem: Unpleasant surprises at scale. Solution: Always test in doubtful cases.

5. Mixing Brands

Problem: Each system is internally calibrated. Solution: Use dye and developer from the same line.

How Do You Formulate for the Most Common Salon Scenarios?

The four most frequent scenarios each require a distinct approach: darkening (10 vol, no underlying pigment concern), lifting 2 levels from level 5 (20 vol on Igora Royal or 30 vol on Koleston Perfect, plus ash .1 to cancel orange), gray coverage above 50% (20 vol, with half natural shade as L’Oréal’s US Majirel chart asks for a cool target), and correcting orange at level 6 (7.1 + 7.01 + 7.0 blend with 20 vol). This table provides the starting formula and key insight for each case.

This table covers the most common salon scenarios and provides a formulation starting point:

Common Scenario	Starting Level	Target Level	Formula Type	Developer	Key Insight
Darkening 2 levels	7	5	5.0 (60%) + 5.1 (40%)	10 vol	Underlying pigment doesn’t interfere when going darker; 10 vol deposits without damage
Lifting 2 levels	5	7	7.0 (40%) + 7.1 (30%) + 7.03 (30%)	20 vol on Igora Royal, 30 vol on Koleston Perfect	Orange undertone at level 5-6 requires ash (.1) to neutralize
Gray coverage (>50%)	6 (with grays)	6	6.0 (50%) + 6.1 (50%)	20 vol	Over 50% white, L’Oréal’s US Majirel chart pairs 1/2 tube of a cool target with 1/2 tube of the Natural shade
Correcting orange	6 (orange)	7 ash	7.1 (50%) + 7.01 (30%) + 7.0 (20%)	20 vol	The .01 adds coolness without muddiness; .0 provides balance

Frequently Asked Questions

How many levels can dye lift?

There’s no single cap; each line sets its own. Wella’s Koleston Perfect usage guide rates the 1:1 mix with 40 vol at 3 levels of lift and Special Blonde at 1:2 at 4-5. For more lift, pre-lightening is required. The limit exists because dye deposits pigment while lightening, which cuts into its lifting power.

Why does orange appear when bleaching?

Orange is the underlying pigment of levels 5-6. It appears because when you remove melanin, the underlying pigments (pheomelanin) become visible. This is a normal chemical process, not a mistake: pheomelanin — the natural red-yellow pigment — holds up against bleaching better than eumelanin does, as Wolfram and Albrecht measured in the Journal of the Society of Cosmetic Chemists (vol. 38, pp. 179-191, 1987). It’s neutralized with blue/ash.

What’s the difference between .1 and .01 in color codes?

The .1 indicates a pure, dominant ash. The .01 indicates a natural base with a soft ash undertone. The first is more powerful for neutralizing, the second is more natural and less cold.

Can I mix developers of different volumes?

Yes, to get intermediate volumes. The mix is proportional: in equal parts, you land halfway between the two volumes. Keep both from the same brand.

How long should I leave the dye on?

It depends on the line and the goal. Wella’s Koleston Perfect usage guide gives a full-head application at the same depth or darker 30-40 minutes without heat (15-25 with Climazon), and Schwarzkopf’s US Igora chart sets its Highlifts at 30-45 minutes. Don’t go past the time the manufacturer indicates: extra time doesn’t improve the result, it only damages.

In Summary

Hair colorimetry is built on these pillars:

• Color theory: Complementaries neutralize, primaries don’t mix to form pure colors
• Level system: From 1 to 10, each level has its predictable underlying pigment
• Reflects: The language of numbers after the decimal defines the final hue
• Developers: The minimum necessary for the result, not the maximum available
• Diagnosis: Without precise information, there’s no correct formulation

Mastering these fundamentals isn’t optional. It’s what allows you to go from “let’s see what happens” to “this is exactly what’s going to happen.”

Want formulas calculated with scientific precision? Try Blendsor. The AI analyzes your client’s hair and suggests formulations based on real colorimetry.

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This article is the starting point of our colorimetry cluster. Explore the related articles to dive deeper into each specific topic.